It is said Petra is as old as time. Standing inside it, that stops being a figure of speech.
I had sprained my ankle that day and the terrain was unforgiving. At one point I nearly turned back… there was an area of caves in the distance that looked too far, too rocky, too much for a foot that was already protesting. I kept walking anyway. I remember thinking: when will I be here again?
Climbing up to the cave entrance, I met a little girl and her baby donkey. We said hello. I walked on.
And then I saw it, what looked, at first, like someone had painted the cave walls. Layers of colour, swirling and deliberate, running through the eroded stone in patterns too considered to be accidental. I walked closer and understood: no one had made this. The forces of nature had, over more time than I could hold in my mind. Wind, water, pressure, centuries… all of it working without an audience, without intention, producing something that stopped me where I stood.
The thought that I had almost not walked this far made me feel something close to guilt.
This is one of my most loved images. Not because of what I captured, but because of what I almost missed and what it reminded me about the practice of paying attention.
This photograph exists in an edition of 15. Not because editions are expected, but because some moments deserve to live in only a few rooms.
Meet Poulami
I’m a Mumbai-based watercolour artist creating meditation-inspired work from my studio sanctuary. Each painting begins in stillness, shaped by nature’s rhythm and the quiet beauty of imperfection.
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